Home
Artifacts Menu
- Ancient Egyptian Artifacts
- Ancient Persian Artifacts
- Ancient Roman Byzantine
--- Rings, Pendants, Earrings
--- Roman Bracelets
--- Roman Pottery & Glass
--- Roman Gift Plaques
- Roman Coins
- Celtic, Indo-European
- Phoenician and Judaean
- Parthian and Indian
- Medieval Renaissance
- Ancient China
--- China Large Pottey
--- China Statuettes
--- China Bowls
--- China Small Ceramics
--- China Pendants, Lapel Pins
- WORLD WAR I & II
TIMELESS TREASURE GEMSTONES
Visit our colleagues...
Chains
About US
Contact US

Egyptian Faience Eye of Horus Necklace 500BC $249.99


For Customers outside of USA

Gorgeous Turquoise Blue Ancient Egyptian Faience Eye of Horus Flat-Backed "Plaque" Style Amulet ("Magic All-Seeing Eye") and Mummybead Necklace.

CLASSIFICATION: Faience Composition Amulet and Faience Composition Bead Necklace.

ATTRIBUTION: Ancient Egypt, 27th Dynasty, Xerxes I (?), 486-466 B.C.

SIZE: 54mm in length, 44mm in width , 7mm thickness; 75cm faience "mummybead" necklace (30 inches).

WEIGHT: 21.75 grams (amulet only).

CONDITION: Excellent, faience 35% intact, exceptionally sharp detail preserved. Professionally conserved.

DETAIL: A 2,500 year old gorgeous turquoise colored faience/composition amulet of the Falcon God Horus, depicted as "the Eye of Horus", quite handsome. The amulet possesses sharply molded features, and is exceptionally well preserved. This style of amulet, known as a flat back plaque style, is much, much less common than the more ordinary "in the round" amulet. This is a very substantial amulet, many times larger than the more common "in the round" amulet more often seen offered. It is also free-standing as well, the bottom side forming a flat "stand". Horus, the "Falcon God", was one of the principal deities of the ancient Egyptians. Horus, according to legend, had a hand in the creation of the ancient Egyptian world, in the form of the falcon who flew up at the beginning of time. Horus's eyes were thought to be the sun and moon. When both these two heavenly bodies are invisible (on the night of a new moon), legend had it that Horus went blind, and he took on the name Mekhenty-er-irty, "He who has no eyes". When he recovers them, he becomes Khenty-irty, "He who has eyes". Thus the emphasis on many amulets of Horus, such as this specimen, which only depict only an eye, and are known as an "eye of Horus". The infant Horus, known as "Horus-the-Younger", or "Harpokrates", was worshipped as the God of Childhood, and the protector of children. As a child Horus represented the new born, or newly risen sun.

This is a well-detailed and fully featured amulet, certainly not the normal specimen, which often has been reduced to a crudely featured lump by the passage of millennia. The amulet has survived in excess of 2,500 years of burial without chips, breaks, or cracks; the amulet is in truly magnificent condition. The amulet is mounted onto a necklace of sequentially-strung, blue-green tubular "mummybeads" also constructed of faience. The tubular faience beads are between 15 and 30 millimeters (3/4 - 1 1/4 inches) in length, and about 3 millimeters (1/8th inch) inch in diameter. The disk-shaped beads used as accent separators are considerably older, likely origin before 1,000 B.C. The necklace is 75cm (30 inches) in length; large enough to fit over anyone's head, and is designed to suspend the amulet mid-chest. It is quite an impressive combination, and can be worn with elegance and distinction.

CONSTRUCTION: Faience amulets were produced in ancient Egypt by crushing quartz mixed with a coloring agent, typically copper ore, which was then made into a paste. The paste was then placed in a mold, and then fired. The quartz would fuse, and the copper would give the resulting product a color with blue and/or green hues, which was favored by the ancient Egyptians as the color of the Nile River. The quartz would "migrate" to the surface of the object, giving it a glassy finish. Given the passage of twenty-five centuries, it is not uncommon for such amulets to have entirely lost their glassy faience glaze. However a substantial percentage of such amulets will possess some remnants of the original faience glaze, beneath which will be seen the natural sandstone colored faience substrate. A few very fortunate specimens (a very small percentage) will even retain most of the original glaze. Collectors of such amulets look for three principal attributes. Those are in order of significance, a specimen of undiminished integrity (no cracks, chips, or substantial deterioration). Second, good detail in high relief and good definition. Third, the amount of faience glaze remaining intact. Also of significance to many collectors is the size of the specimen.

Amulets such as these, even though assuredly ancient, were nonetheless "mass produced" for the populace at large. It is worth noting that the exceptional condition of an artifact often not only takes into account the state of preservation, but oftentimes can also be due to the superior workmanship and artistic qualities of the mold which produced this amulet. The detail and technique present in the finished amulet is a reflection of a skilled artisan of that distant past who left a living testament to his craftsmanship, which still speaks of his pride and abilities almost twenty-five centuries later. Conversely, a poorly skilled artisan might produce an amulet which even today may easily be recognized as an inferior product, often not much more than a crudely shaped lump of material, poorly featured with coarse detail.

HISTORY: One of the greatest civilizations of recorded history was ancient Egypt. For a mere hundred dollars or thereabouts, you can possess a small part of that great civilization in the form of a 2,500 year old amulet. These magical talismans are amongst the most sought after and highly collectible artifacts from ancient Egypt. Religion was very important to the ancient Egyptians, and they worshipped many gods. These gods and goddesses often represented the natural world, such as the sky, earth, sun, or wind. The gods took the form of animals or animal/human figures. The ancient Egyptians wore amulets, small representations of these gods, as magical charms to ward off danger. They believed that these amulets, or talismans, would not only protect them in life, but in death as well, and would endow the individual wearing them with magical powers and capabilities.

While religious beliefs in ancient Egypt played a very important role in life, they played an even larger role in death. The ancient Egyptian Book of the Dead prescribed 104 different types of amulets be buried with the mummy in order to protect the deceased on his or her journey into the afterlife. Typically pinned to or wrapped within their burial shroud, it was not uncommon to find even thousands of amulets in the possession of the mummified remains of more prominent members of that ancient civilization. Typically when mummifying the deceased, there could be as many as 80 layers of linen, and it was not unusual to place at least one amulet representation of each of the more significant deities within each layer.

Amulets were made in many sizes and of many materials, including terracotta, wood, stone, bronze, silver, gold, occasionally precious gemstones, but most often of "faience". Faience was the forerunner of modern glass, and was manufactured by the Egyptians as far back as 4000 B.C. Faience is composed of ground quartz and sand together with a coloring agent. Although faience was made in many different colors, most often the coloring agent used was copper ore, which would impart a turquoise blue or turquoise green color. Made into a paste, the mixture of silica and coloring agent(s) it was pressed into molds, and then fired in an oven. When baked, the quartz would migrate as a glaze to the surface of the amulet within the mold. When the mold was opened, the amulet would have a smooth, glassy surface. If colored with copper ore, the resulting product would typically be a shade between deep cobalt blue and pale emerald or jade green. The manufacture of amulets and the application of the magic spells for the benefit of the deceased, were almost always overseen by Egyptian priests.

With respect to this specific artifact, Horus, the "Falcon God", was one of the most important gods to the ancient Egyptians. He was a number of distinct deities, the most famous of whom is "Harseisis" (Horus-son-of-Isis). Sometimes referred to as "Horus the Younger", in this role as an infant, he was known as "Harpokrates", and was worshipped as the protector of children. In another manifestation, as the avenger of his father's death, Horus was worshipped as "Harendotes". In this role Horus was the son of Osiris and Isis, two of ancient Egypt's principle deities. Osiris was murdered and eventually dismembered by his brother, Horus's Uncle, Seth. As the young Horus grew to manhood, he was indoctrinated into the uses of magic by his mother, Isis. It is in this role, the weaver of protective spells and enchantments, that Horus was worshipped by parents anxious to protect their children against evil. In adulthood Horus eventually became the model dutiful son, storied hero of countless battles with his uncle, Seth, and eventually, avenger of his father's death. The basis for the legends of Horus lay in pre-dynastic invaders of Egypt who were followers of a pagan god by the name of "Horus". At this time Horus was venerated as a victorious warlord. Eventually Horus was incorporated into Egypt's state religion and was associated with the sun god, Ra. This most ancient manifestation of the Horus gods was known as Horus the Elder ("Heru-ur).

Not to be confused with Horus, son of Isis and Osiris (Horus-the-Younger), Horus the Elder was the brother of Seth and Osiris (respectively Horus the Younger's uncle and father). Horus the Elder was especially venerated in pre-Dynastic Upper Egypt along with Hathor, his sister. In fact, Horus became so important that Pharaohs were considered his human manifestation, and even took on the name Horus. A passage from the Coffin Texts sums up Horus in his own words: "I am Horus, the great Falcon upon the ramparts of the house of him of the hidden name. My flight has reached the horizon. I have passed by the gods of Nut. I have gone further than the gods of old. Even the most ancient bird could not equal my very first flight. I have removed my place beyond the powers of Seth, the foe of my father Osiris. No other god could do what I have done. I have brought the ways of eternity to the twilight of the morning. I am unique in my flight. My wrath will be turned against the enemy of my father Osiris and I will put him beneath my feet in my name of 'Red Cloak'."

Amulets from ancient Egypt were buried typically for between 2,500 and 3,000 years before being unearthed inside of tombs within the last century or two. Amulets typically are between one-half and two inches in size. Amulets were extremely important to the ancient Egyptians, a focal point of both their life and their belief in the hereafter. Amulets were oftentimes worn about the neck by the ancient Egyptians, typically on a beaded necklace. The beads were most often faience beads, in colors ranging from tan to pale jade green to cobalt blue. Though the material used to string the necklaces disappeared in the eons passed while buried within the tombs of Egypt, the beads themselves survived. Oftentimes these necklaces are restrung on modern filaments, and then offered as a matching set with an amulet which can be worn or displayed with pride.

These antiquities come from a number of collections which by and large originated here in Eastern Europe. As well, additional specimens are occasionally acquired from other institutions and dealers, principally in Eastern Europe and the Eastern Mediterranean. All of these artifacts are now in the United States and are available for immediate delivery via U.S. Mail. Proceeds of the sales benefit the Southern Urals State Student Association for Archaeological and Anthropological Studies in Russia; providing both postgraduate and undergraduate students with meaningful part-time employment, notebook computers, and both reference and study materials. It also supports other institutions and organizations within Russia involved in the study of anthropology and archaeology. All purchases are backed by an unlimited guarantee of satisfaction and authenticity. If for any reason you are not entirely satisfied with your purchase, you may return it for a complete and immediate refund of your entire purchase price.

SHIPPING: These antiquities come from a number of collections which by and large originated here in Eastern Europe. As well, additional specimens are occasionally acquired from other institutions and dealers, principally in Eastern Europe and the Eastern Mediterranean. All of these artifacts are now in the United States and are available for immediate delivery via U.S. Mail. All purchases are backed by an unlimited guarantee of satisfaction and authenticity. If for any reason you are not entirely satisfied with your purchase, you may return it for a complete and immediate refund of your entire purchase price. A certificate of authenticity (COA) is available upon request.

Our order fulfillment center near Seattle, Washington will ship your purchase within one business day of receipt of your personal check or money order. If you wish to pay electronically, we accept both PayPal and BidPay. However we ask that you PLEASE WAIT before remitting until we have mutually agreed upon method of shipment and shipping charges and you understand our PayPal limitations and policies (stated here). We will ship within one business day of our receipt of your electronic remittance.

A certificate of authenticity (COA) is available upon request. We prefer your personal check or money order over any other form of payment - and we will ship immediately upon receipt of your check (no "holds"). Please see our "ADDITIONAL TERMS OF SALE."