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100BC Genuine Ancient Han China Black Clay Horse Head $199.99 - SOLD


Nicely Preserved, Very Large Genuine Ancient Han Dynasty Black Clay (Once-Painted) Horse Head About 100 B.C. – 100 A.D.

CLASSIFICATION: Clay Statuary.

ATTRIBUTION: In the Style of Ancient China, Han Dynasty, 100 B.C. – 100 A.D. Possibly an 18th or 19th Century Revival Imitative.

SIZE/MEASUREMENTS:

Height: 179 millimeters (7 1/8 inches).

Breadth: 186 millimeters (7 3/8 inches).

Depth (Thickness): 78 millimeters (3 1/8 inches).

Base Dimensions: 118 * 66 millimeters (4 3/4 * 2 2/3 inches).

CONDITION: Very good and original (with no repairs). Constructed of heavy weight black clay. There are some minor soil adhesions. The paint/pigment originally adorning the clay horse head has decomposed/oxidized, and is virtually absent except for a few tiny residues. As well there are the normal blemishes (warts, dimples, pimples and pits) one expects with handcrafted ceramics. Not flawless, but certainly in a wonderful state of preservation! No chips, no cracks, no breakage, no repairs. Stands on its own.

DETAIL: A nicely preserved black earthenware horse head, very handsome and masculine in appearance, and so wonderfully characteristic of Han Dynasty statuary. The horse head was originally painted with white and red pigments. Unfortunately only a few very faint residues of the original paint remain, as the paint eventually oxidizes and decomposes to the point where there is only a powdery residue. All which is really left not is the black clay substrate material.

The horse was a very valuable possession in Han, China, both to the nobleman and warrior. The noble character and strength of the animal is wonderfully conveyed in this piece of art. During the Han Dynasty (206BC-220AD) grave interiors were richly furnished with a wide variety of miniature objects, usually fashioned as replicas of actual possessions, people (such as servants), animals (such as this), even buildings. Called “spirit goods”, these items were used as substitutes for valuable possessions, and were usually produced in ceramic and earthenware and were oftentimes glazed or colorfully painted.

The wealthy elite's increasing interest in elaborately furnished tombs led to the mass production of armies of ceramic figures made using molds. In the case of the royal burial of the sole Qin Emperor, a terra cotta army of 6,000 was produced in full size. Burial ceramics made during the Han dynasty were decorated with simple but colorful designs painted directly onto the unglazed fired pieces or with brown and/or green lead-based glazes that could be fired at low temperatures.

Although it is likely that this specimen is much older, it would be careless not to mention that there is conceivably some possibility that this piece might be a revivalist imitative produced for the European market of the 18th or 19th century. It is widely known that Chinese porcelain and other ceramic artwork was quite popular in Victorian Europe. Carrying Chinese porcelain from China to Europe was an industry for the seafaring mariners of the 16th, 17th, and 18th centuries. Entire fleets of sailing ships plied the trade, especially the Dutch and English. However in addition to porcelain, ancient Chinese ceramics were also extremely popular in Victorian Europe, where Chinese ceramic artwork was highly appreciated and in great demand.

Although the style of this specimen is very convincing and suggests it might indeed be of Han Dynasty origin, a large portion of the antique/ancient Chinese ceramics in Europe date to the 18th or 19th century, so it is quite possible that this is an imitative revival piece. Judging by the style it is likely considerably older, but only a $1,000 thermoluminescence test would establish this conclusively (and even then the reliability and accuracy of such testing is still debated). So we’ll simply err on the side of being conservative and suggest that you consider it a revival piece, and if it is indeed older, so much the better. However whether an antique several centuries old, or an antiquity several millennia old, this is a valuable and collectible piece of art.

This piece is in wonderful condition, with no chips, no cracks, no breakage, and no repairs. Ordinarily statuary like this is unearthed in pieces – shattered. So the fact that this is 100% complete and unrepaired is quite remarkable. Of course there are the customary and expected minor scuffs, marks, dings, and soil encrustations, and of course the absence of the original paint, except a few very faint oxidized remnants. Of course realistically one would expect some blemishes, so there are no surprises here except that there are so few blemishes. Overall the statuette is in very good condition and is a highly collectible piece of Han Dynasty ancient Chinese funerary ceramic art. If you’d like an authentic antique/ancient piece of Han statuary, you could not go wrong with this one. It is solidly shaped, nicely featured, and perfectly proportioned. You could display this one with great pride either at work on your desk or at home. Whether at home or at work, it will certainly generate curiosity and perhaps even a little envy!

HISTORY OF HAN EARTHENWARE: During the Han Dynasty (206BC-220AD) grave interiors were richly furnished with a wide variety of miniature objects, usually fashioned as replicas of actual possessions, animals, or buildings. Called “spirit goods”, these items were used as substitutes for valuable possessions, and were usually produced in ceramic and were glazed or colorfully painted. The wealthy elite's increasing interest in elaborately furnished tombs led to the mass production of armies of ceramic figures made using molds. In the case of the royal burial of the sole Qin Emperor, a terra cotta army of 6,000 was produced in full size. Burial ceramics made during the Han dynasty were decorated with simple but colorful designs painted directly onto the unglazed fired pieces or with brown and green lead-based glazes that could be fired at low temperatures.

HISTORY OF THE HAN DYNASTY: The History of the Han Dynasty (206 B.C. to 220 A.D.) actually begins in 221 B.C. when the western frontier state of Qin (Ch’in), the most aggressive of the Warring States, subjugated the last of its rival states, bringing the era of the Warring States to an end. For the first time most of what eventually came to be “China” was unified. The new Qin (Chin) King proclaimed himself a deity, and ruthlessly imposed a centralized nonhereditary bureaucratic system throughout the empire, establishing standardized legal codes, bureaucratic procedures, written language, and coinage. In an effort to even standardize thought and scholarship many dissenting Confucian scholars were banished or executed; their books confiscated and burned. To fend off barbarian intrusion, the fortification walls built by the various warring states were connected to make a 5,000-kilometer-long great wall. When the powerful emperor of Ch’in died, he was entombed in a massive burial mound. Recently excavated the royal grave revealed an army of more than 6,000 terra-cotta human figures and horses intended to protect the emperor's final resting place.

In ancient China his death was followed by a short civil war and the emergence of the Han Dynasty. The new empire retained much of the Qin administrative structure but retreated from the harsh and centralized rule by establishing vassal principalities in many areas. Confucian ideals of government were reinstated, and once again Confucian scholars gained prominent status as the core of the civil service. Intellectual, literary, and artistic endeavors revived and flourished. Technological advances included the invention of paper and porcelain. The Han Empire expanded westward, making possible relatively secure caravan traffic across Central Asia to Antioch, Baghdad, and Alexandria. Often called the “silk route”, it enabled the export of Chinese silk to the Roman Empire. The Earlier Han reached the zenith of its power under Emperor Wu Ti, who reigned from 140 to 87 BC. Almost all of what today constitutes China was under imperial rule.

HISTORY OF CHINESE CERAMICS: The first Chinese ceramics archaeologists have found date back more than 10,000 years. These were earthenware, which means they were made from clay and fired at the kind of low temperatures reached by a wood fire or simple oven. In China, most ceramics made before the Tang dynasty (600 A.D.) are earthenware. They may be glazed or unglazed, and are occasionally painted, often brightly colored. Stoneware ceramics are harder and less porous than earthenware and are fired at hotter temperatures—between 2100°F and 2400°F. At these high temperatures, the surface of the clay melts and becomes glassy. Although stoneware is usually waterproof, most stoneware ceramics are glazed for decoration. The glazes often contain ash, which allows the glaze to harden at stoneware temperatures.

During the Shang Dynasty (1600-1100 B.C.) bronze metallurgy superceded ceramics as the favored art form of the ruling class. However both the ceramic and the bronze industries evolved into complex systems of production that were supported by the aristocracy. Decorative designs rich in symbolism were created first in bronze were then imitated in clay. Chinese burial customs included the tradition of placing clay replicas of material possessions, animals and people in the tomb to accompany the deceased and serve them in the next life. Although archaeological finds have revealed that glazed pottery was produced as early as 1100 B.C. during the Zhou dynasty, the production of glazed wares was not common until about 200 B.C. during the Han Dynasty. However from about 1000 B.C. onwards during the Shang and Zhou dynasties, primitive porcelain wares emerged. Real porcelain wares appeared in the Han dynasty around 200 A.D. In the process of porcelain development, different styles in different periods blossomed.

The production of porcelain became widespread by about 500 A.D. Using a special clay with ground rock containing feldspar, a glassy mineral, the material was fired at very high temperatures above 2400°F. The surface of the clay melts at such high temperatures and becomes smooth as glass. Early porcelains were undecorated and were used by the Imperial court and exported as far as the Middle East. For instance during the Han Dynasty principally celadon (green) and black porcelain were mainly produced. The famous blue and white porcelain was created with blue paint made from cobalt and then covered with a clear glaze, which can withstand the high temperatures of the kiln. The technical and creative innovations of Chinese potters are unique accomplishments in the cultural heritage of the world. Today, archaeological excavation and research in China are revealing new sites and new examples of the genius of the Chinese potter.

HISTORY OF CHINESE CIVILIZATION: Remains of Homo erectus, found near Beijing, have been dated back 460,000 years. Recent archaeological studies in the Yangtse River area have provided evidence of ancient cultures (and rice cultivation) flourishing more than 11,500 years ago, contrary to the conventional belief that the Yellow River area was the cradle of the Chinese civilization. The Neolithic period flourished with a multiplicity of cultures in different regions dating back to around 5000 B.C. There is strong evidence of two so-called pottery cultures, the Yang-shao culture (3950-1700 B.C.) and the Lung-shan culture (2000-1850 B.C). Written records go back more than 3,500 years, and the written history is (as is the case with Ancient Egypt) divided into dynasties, families of kings or emperors. The voluminous records kept by the ancient Chinese provide us with knowledge into their strong sense of their real and mythological origins – as well as of their neighbors.

By about 2500 B.C. the Chinese knew how to cultivate and weave silk and were trading the luxurious fabric with other nations by about 1000 B.C. The production and value of silk tell much about the advanced state of early Chinese civilization. Cultivation of silkworms required mulberry tree orchards, temperature controls and periodic feedings around the clock. More than 2,000 silkworms were required to produce one pound of silk. The Chinese also mastered spinning, dyeing and weaving silk threads into fabric. Bodies were buried with food containers and other possessions, presumably to assist the smooth passage of the dead to the next world. The relative success of ancient China can be attributed to the superiority of their ideographic written language, their technology, and their political institutions; the refinement of their artistic and intellectual creativity; and the sheer weight of their numbers.

A recurrent historical theme has been the unceasing struggle of the sedentary Chinese against the threats posed by non-Chinese peoples on the margins of their territory in the north, northeast, and northwest. China saw itself surrounded on all sides by so-called barbarian peoples whose cultures were demonstrably inferior by Chinese standards. This China-centered ("sinocentric") view of the world was still undisturbed in the nineteenth century, at the time of the first serious confrontation with the West. Of course the ancient Chinese showed a remarkable ability to absorb the people of surrounding areas into their own civilization. The process of assimilation continued over the centuries through conquest and colonization until what is now known as China Proper was brought under unified rule.

SHIPPING: These antiquities come from a number of collections which by and large originated here in Eastern Europe. As well, additional specimens are occasionally acquired from other institutions and dealers, principally in Eastern Europe and the Eastern Mediterranean. All of these artifacts are now in the United States and are available for immediate delivery via U.S. Mail. All purchases are backed by an unlimited guarantee of satisfaction and authenticity. If for any reason you are not entirely satisfied with your purchase, you may return it for a complete and immediate refund of your entire purchase price. A certificate of authenticity (COA) is available upon request.

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